Preparation and Control

We battle chaos.

That’s what it feels like, much of the time, right? Whether we’re (seemingly) safe and comfortable, or (seemingly) dangling over a precipice between survival and some (perceived) point of no return — it can feel that way, right? Us against chaos. We’re biologically conditioned to expect it.

For me, I’m learning that this natural reaction can be tempered, that there are perhaps different types of instinct, other than the one that’s always prepared for chaos. A conscious voice and an unconscious one, at minimum. I don’t pretend to always know which should be listened to at any given moment. I think probably it depends on circumstance and on how far each of us is willing to go in the direction of either abandonment or control.

PA Puppy can't get a Grip.

PA Puppy can’t get a Grip.

This most recent non-committal point reminds me of the filmmaking process. If filmmaking is anything, in my opinion, it is a dance between abandonment and control.

In crafting recorded narratives, and even in viewing and consuming them, we play god. This is a point that perhaps gets lost among the race to “produce content” — which almost anyone can join at this point, in certain terms. We pretend another world, usually one that’s like ours in at least some accessible way, is real. Depending on what side of the narrative we are on, we then either pretend to be able to capture and populate a world — and lives within it — or we accept it’s reality as a witness to these built worlds.

Personally, as I’ve already discussed, I believe we’ve drifted, on the whole, a little too far from our actual reality, while as a population we participate perhaps too frequently in patterns of “world hopping”, in the preceding terms. But I have already discussed that. I’ve also made it clear what I believe needs to be done, here and now, in terms of what kind of narratives we would create and absorb. If I were running the world. Which, luckily, I’m not.

But. For real.

In so many words, I think The Moment that is coming — for us, here in America at least — is one of reflection. And, hopefully, increasingly, discussion as well.

As a filmmaker, this becomes a complicated proposition for me. In today’s environment, it’s actually very easy to enter discussion. In a way, we’re discussing ideas right now. It’s been a great positive change in my life, having this site to turn to regularly, and having you here reading and, sometimes, reflecting back at me. Now that I’m almost a year and a half into this endeavor, whatever it is, I can’t see not having this space — and you — in my life.

I’ve been overwhelmed for the past several days, and not exactly in a bad way. For a few hours last night, for example, I became overwhelmed emotionally by the small flood of interest in our recent call for collaborators. But I’ve also felt exhausted. Already.

I’m working hard on something. I don’t know how much of a secret that is by now. This project feels important and I know working on it is going to continue to be hard. Thus, we arrive, finally, at the title of this post. I’m having incremental trouble focusing on the line between preparation and control.

As I said, it’s a dance, this filmmaking game. At low budgets — and even at high ones, I suspect — it’s also a test of endurance and the ability of a person to practice self-care. You can’t make films if you can’t stand up. Although I did once “direct” a scene while crumpled in a sitting position in a corner of a room. Won’t forget that day.

So, I was thinking about all this, recently, and I actually started to feel better. Just by reflecting. And for that, I feel grateful. It’s taken years to be able to (sometimes) relax about this stuff.

I have this space to turn to, and you to talk with. I know a fair percentage of readers here are artists. I suspect you understand what I’m talking about. I bet everyone else does, too. Everyone has their own dance.

We battle chaos. But we’re together in this battle. Further, while the real world is certainly not so neat and perfect as it sometimes appears to be from our screens, it also contains it’s fair share of grace.

I think that’s a fair point to make. Filmmaking, with its fictional worlds made up of parts of our own, even the real world, as seen through so many different lenses — the processes of it not about control. Not ultimately.

It’s about preparation. And then collaboration. Creativity.

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