Tag Archives: Seed&Spark

The Videoblogs Dialogue: Now Live!

When Rebecca and I were in the early stages of planning The Videoblogs, we met at one point with Gary Chou at Orbital in NYC. We’ve come to treat that meeting as a special one, because Gary listened to our plans (which we’ve mostly followed and are still following) but challenged us to see if we couldn’t take them a step further.

pablo (1).png

By now, if you’re a reader of this site, you know that we’re making The Videoblogs to contribute to a greater dialogue on mental health in America. And while the hope is that the film itself will become a part of that conversation, Gary’s challenge helped us address a lingering feeling that we weren’t quite taking our plan far enough, in terms of creating a project that not only sparked conversation but encouraged an interactivity that more closer mirrored today’s rising tech-enabled general culture — and its positive potential, more than its dangers.

We’re leveraging and addressing, with The Videoblogs itself, new technologies and new technologically-affected ways of living. And yet the overarching thematic message that we’re seeking to put forth with the story, in these terms, is that we can reach out through the screen to connect, not only virtually, but as a gateway to more of the real-life interaction upon which the human spirit fundamentally subsists — even as technology is making the rest of what goes into subsistence easier and more accessible.

In concrete terms, Gary pushed us to consider how we could take our message and apply it to an active, real-life, two-way solution. The idea greatly appealed to me, as I’ve grown increasingly frustrated by the broadcast-only structure of legacy long-form storytelling. And Rebecca took the challenge head-on. After some back and forth with Gary, we started working to plan The Videoblogs Dialogue in parallel with the production and release of the film.

It took some time to get going (we’re bootstrapping indie filmmakers after all!), but now it’s here. And I’m very excited and very proud and thank Gary and Rebecca for their roles in making it a reality.

Special thanks also to Paul Gilmartin, Grace Parra, Ashely Esqueda and Alice Spivak for lending their time to the contest and the cause. Their early commitments to serve on the jury for The Videoblogs Dialogue helped us gain momentum in the early days of planning, and even though it took some time to get the contest together and now launched, we continue to remain grateful for their help.

And of course thanks also to:

  • Project UROK, an official partner in the project, and an organization that does amazing work encouraging people to talk more openly and honestly about mental health
  • Co-sponsor Seed&Spark, a forward-thinking company that helps empower film and media storytellers, and promotes community and interdependence in the independent film industry
  • And co-sponsor Big Vision Empty Wallet, a film and media incubator that encourages and supports filmmakers working in today’s tech-enabled environment and champions diversity in storytelling

More below. But all the information, including how to enter the contest, can be found on the site for the film. I look forward to seeing what entrants submit. Let’s (safely) talk about this stuff.

thevideoblogsposter (1)The Videoblogs Dialogue is a user-generated video contest, in which participants submit their own videoblogs (3 min or less), pertaining to themes of mental health and/or personal struggle. Participants aged 18-24 are eligible to win a $1,000 Cash Prize and Mentorship package, to be put towards the creation of their own short film on mental health. Anyone age 18 and up can enter for the chance to have their videoblog included in the closing credits of The Videoblogs.

We’re running this contest to contribute to a greater dialogue about mental health in America, and to encourage tomorrow’s artists, filmmakers and performers to bravely engage with what have classically been labeled as difficult subjects (depression, anxiety, trauma) with an ultimate focus on hope.


Subscribe
 to my list for advanced (and free!) access to new (creative) content produced by yours truly.
 I send one email per month (sometimes less).

Now Streaming: The Confession

confI am thrilled to announce that The Confession is now available for your viewing pleasure.

Many thanks to Director/Producer Jaclyn Gramigna for overseeing the production of the film, and to the rest of our team for their great work. Above all, we’re grateful to our supporters on Seed&Spark, who helped make this 95% crowdfunded film a reality.

(The other 5% was paid for by yours truly, to cover a few overages. If you enjoy The Confession, feel free to send over a few dollars to help offset that added cost).

Please also feel free to share a link, as soon as you’re done watching, on Twitter or Facebook. Happy viewing!

Summary: Jacob and Ellen wander through Brooklyn, the morning after spending the night together for the first time. Jacob’s acting strange. Ellen wonders why. A confession is coming. And it’s not what you expect.

Did you enjoy The Confession? If so, follow us on Twitter!

Writer/Executive Producer
Michael DiBiasio

Director/Producer
Jaclyn Gramigna

Executive Producer/Lead Actress
Rebecca De Ornelas

Lead Actor
Jeremy Plyburn 

Check out the remaining credits for the film on IMDb!

602066_10100681300095942_1773576913_n (2)Subscribe to my list for advanced (and free!) access to new (creative) content produced by yours truly. I send one email per month (sometimes less).

Breaking Rules: Fast, Cheap, and Good

Screen Shot 2015-09-08 at 7.45.00 PMFast, cheap and good. You can only pick two.

The above represents a stated wisdom across a number of business sectors.

Perhaps you’ve heard a version of the statement before. For any of who haven’t, the idea is that, when considering the creation of a product, the delivery of a service, or the management of a project — that quality can only be achieved if either quite a bit of time is taken (in situations of low budgeting) or an appropriate amount of money is spent (in situations of timely delivery) in producing whatever is being produced.

We won’t even discuss fast and cheap and not-good as an option.

Why do I bring this all up? Because I believe — even in regards to filmmaking, which is a costlier artistic pursuit (in theory) than, say, narrative fiction writing — that this adage is out of date.

I believe one can produce a quality product quickly and cheaply — with some qualifications.

  • Limits must be strategically set to assure quality can be achieved.
  • Experience must be leveraged, as an asset, to help offset lowered costs
  • Cheap must be redefined at scale

To bring a practical example into the discussion, know that I bring all this up specifically in regards to my campaign to get THE CONFESSION funded, shot, and delivered to its audience — quickly.

The Limits

IMG_1639 (1)The Confession, once finished, will be shorter than Multiverse (about 7 min). That’s one limit. Also, it was specifically written (as was The Videoblogs) so that it could be shot on the go in New York City. When we shoot it, we will be cruising the streets — in daylight — which means we don’t need additional lighting. There are only two main characters in the piece.

Something I have learned about limits, after so many years of indie filmmaking — is that you empower yourself by setting as many of them ahead of time as possible. By narrowing our focus with The Confession, we’ll allow the actors to dive deep into the story material for those few minutes when they’ll be on screen.

The Experience

As I mentioned, it took me some time (and some error) to get better at proactively setting limits. Still, by now, that experience boosts the quality of most projects I put together as a more seasoned filmmaker. Beyond this, however, the cast and crew we’ve brought on board for The Confession will be bringing years of their own experience to “set” when we shoot. That’s a given on many films, however — we’ve stacked the deck with The Confession. In the name of quality and speed.

It can be hard for talented artists to band together and create something, these days. Production funds are often in short supply. Many of us have spent years pitching in personal funds, and sacrificing job opportunities, for the chance and time to string together a catalogue of good work. We squeeze tightly to what little time we have to eke out The Next Thing.Screen Shot 2015-09-08 at 3.23.12 PM

Crowdfunding helps enormously to allow each next thing thing to come, usually by combination of continual hard work and sacrifice (on our part), and the ability to pay certain hard costs, by the good-faith generosity and support of the audience.

But I believe there’s a middle ground. I believe — with the right respect for limits and on an appropriate scale — that a group of talented collaborators can come together for a day to make something fun and special, and then get that well-done, finished thing to supporters within a reasonable timeframe. It just takes a refreshed definition of cheap.

Cheap Doesn’t Have to Mean “Low Value”

When you infuse a product with the blood of experience, and spend time smartly defining some limits, so that specific areas can be adequately explored, a great amount of value is brought to its genesis that cannot be defined in hard dollars.

In today’s increasingly tech-enabled, and hyper-connected environment — it’s relatively easy to produce good work speedily. The trick is the labor.

We all deserve fair wages. I believe that. I also believe in respecting the truth behind any self-given creative endeavor.

No one’s making us go ahead with The Confession. Under all practical definitions, I probably should be resting, or focusing more completely on The Videoblogs, or Coffee with Creatives, or the new script I’m writing.

But you know what? I want to make it. I really, really do. I think the project is fun. I’m excited to have less responsibility, as Jaclyn Gramigna produces and directs. I’m looking forward to speeding through something, with no strings attached other than the making and delivery of the thing. I need to offset the hard work and the seriousness of The Videoblogs and the podcast with a dose of the non-serious but no-less universal.

So what do we do? What have we done? Well, as many of you know — we’ve gone to our audience for help.

This is not new, either for me or in general. Crowdfunding, as I mentioned, is most decidedly a thing. But even as our experience with The Videoblogs illustrates, crowdfunding in such a direct way — 1) You pay us to bring our knowledge and experience to work towards the creation of the product (film), and  2) We go immediately into delivering it — that doesn’t usually happen. Most of what we’re looking to raise goes directly to scheduling cast and crew for the day, to help us more easily and more quickly bring you a quality, funny little film.

Fast. Cheap. Good. You can only pick two.

I disagree.

I want to break that rule and try something different. It feels like the right move. Several people have joined in by now, but we don’t have a lot of time left to fund The Confession.

I’d love for you to join us.

602066_10100681300095942_1773576913_n (2)Like my style? Subscribe to my list for advanced/exclusive (and free!) access to new (creative) content produced by yours truly. I send one email per month.

These Are Our Confessions…

Click the image to hear my confessions. They're not pretty.

Click the image to hear my confessions. They’re not pretty.

We’ll my lovelies, here we are. The Confession is now live over at Seed&Spark. Here’s the low-down:

  • Our pitch video is probably the funniest I’ve been a part of, after two other campaigns. If you do anything, check it out to hear some (unsettling) confessions from cast, crew and friends
  • Please note that we’re only funding for two weeks. If you dig what we’re doing, please consider contributing today. Every dollar helps, and will go towards paying creators to makes something fun/funny for you, quickly and directly.
  • We’re a Staff Pick on Seed&Spark. I must confess, we’re honored to have been selected again (The Videoblogs was similarly chosen) and are exciting to be working with once more with the S&S team.

In case you missed it, we also have some cool incentives lined up for our gracious supporters. We’re sending out the first batch in the below two categories today:

ssconf3

If you’re able to help at all, we’d appreciate any and all support. Even if you just like our silly video — please consider sharing on Twitter or Facebook.

Here are some samples you can copy and paste:

TWITTER

Listen to these embarrassing confessions — and then please join me in helping these sad people! http://bit.ly/1NIWzYU

FACEBOOK

Oof. I cringed listening to these confessions. Check it out and then please join me in helping these sad people! http://www.seedandspark.com/studio/confession

Thanks for being cool. I confess — it would really mean a lot to us to make another project for you while we put the finishing touched on The Videoblogs!

What do you say? Do you have 90 seconds to watch our pitch

IMG_1639 (1)The Confession
A short drama (with some humor)
Writer: Michael DiBiasio / Director: Jaclyn Gramigna / Starring: Rebecca De Ornelas

Jacob just spent the night at Ellen’s for the first time. The still-new couple wanders into Brooklyn the next morning, to hang out. Jacob acts strange. Ellen wonders why. A confession is coming. And it’s not what you expect.

The Videoblogs Selected for Big Vision Empty Wallet’s 2015 Distribution Lab

After the lab, we will set our sights on completing the film and gearing up for next steps.

After the lab, we will set our sights on finishing the film and gearing up for next steps.

Hey, Team #VideoblogsFilm!

Rebecca and I are excited to announce that The Videoblogs has been selected to participate in Big Vision Empty Wallet’s 2015 Distribution Lab.

From BVEW’s site:

The goal of the program is to provide producers with the tools, information, and relationships they need to secure distribution deals for their films and be prepared for distribution.  Official education partners VHX and Seed&Spark will be instrumental in educating participants so they can optimize their projects to receive lucrative distribution deals and also plan for self distribution as a means to maintain ownership and make a profit, not as a last resort.

We’re very excited for this opportunity to better prepare for the eventual distribution of the film, to work with BVEW, VHX, and Seed&Spark (and other groups and pros) on our strategy, and to meet and engage with the other lab participants.

Here’s the announcement, that includes a bit more info, and links to summaries of the other selected projects: http://bigvisionemptywallet.com/distribution.

Thank you, again and as always, for all your help with making this film happen. We’ll continue to keep you posted on our progress.

602066_10100681300095942_1773576913_n (2)Like my style? Subscribe to my list for advanced/exclusive (and free!) access to new (creative) content produced by yours truly. I send one email per month

The Videoblogs Monologues, Part 4: “Ramona”

Hello, wonderful readers (and Videoblogs supporters).

Here is the final installment in The Videoblogs Monologues. As a reminder, these videos were crowdsourced and produced as examples of what we’re aiming to accomplish with “Phase 2” or our project, which has been renamed The Videoblogs Dialogue.

More info on that here.

Also, today is our last day of funding for the film. We’re hugely grateful to be over 100% funded on Seed and Spark. But any additional contributions still make a difference and are appreciated. Reasons as to why can be found near the bottom of this post.

Ramona
Written by Kim Chinh
Starring Shyko Amos
Shot by Liam Billingham
Directed by Rebecca De Ornelas

Plans, Expectations, and HOLY SH*T

Woah. Thank you.

Woah. Thank you.

It’s part of the beauty (and sometimes the cruelty) of life — that it proceeds without regard to our plans or expectations. Which is my attempt at a more eloquent way of saying: Holy Sh*t.

The Videoblogs is currently 102% funded on Seed and Spark.

With a little less than two days to go.

How did we get here? The short answer is that a generous supporter, in the words of a pal, helped us “kick the door down”. We went from about 62% to 102% funded in an instant.

This was not planned or expected.

Before that, two friends from college had each contributed at a high level, to bring us to that previous point of 62%. What they had to say to me when I rushed out my sincere and surprised thanks — left me in tears.

Rebecca and I (and the whole team) are so very grateful for all of you. I cannot express that sentiment enough.

Thank you. Your support means the world to us. It serves as validation, and a reminder, that the struggle and the fighting is worth it. As I have said before — we promise to bring a great film to you.

Thank you.

So, where do we go from here?

Well, for the next few days, we would still encourage you to contribute if you can.

Here’s why:

  1. We’re already operating at a very limited budget level for a feature film. This is not at all a problem and we continue to be grateful to be in this position, but any additional funds past our goal WILL be similarly stretched to make challenges (and they will come) less challenging.
  2. We want you to see the film first. As summarized here, this film is also an experiment in helping to arrive at a model for sustainable, empowered indie filmmaking. Every person who simply “purchases” advance access to The Videoblogs via a $10 or $20 contribution is voting for this model. What does this mean? It means you’re helping us make the films that a growing subset of people want to see but which aren’t getting made by big business. We’re going to get The Videoblogs to you quickly, because you are our supporters. After that, who knows? It could take a year or longer before the film is otherwise made available.
  3. In line with our bootstrapped approach, we have not budgeted much money for post-production (editing) or marketing. This is because I can do most of it if I have to do it. But I am simply not as skilled or as efficient at certain elements of post as a professional editor, colorist, marketer, etc. And, even so, the completion of these tasks cost money. We may have to fundraise again next year for theses stages. I can promise you that if we end up with even a small surplus this time around, it will be stocked away to make that process easier.

It feels awkward to keep “the ask” open for these final days, despite our position, but these are in fact legitimate reasons. We would be doing the film, and those of you who have already supported us, a disservice by failing to be transparent about the fact that every additional little bit still helps.

The urgency, of course, is gone. I literally dreamed of puppies and kittens last night. And a few dead birds, because there are always going to be some dark corners in there.

But, let’s choose to focus on the brightness today. At least in this one regard. That’s not going to be a problem for me, I don’t think. Because all of you have made me proud to do what I do.